The Monash University Student Theatre production of Frankenstein in Love, performed for the Melbourne Fringe at Collingwood Underground Carpark, is an ambitious, visually strong, yet ultimately uneven horror story that misses its mark when it comes to the plot in a manner that distracts from its potential.
The play – an early work by writer and filmmaker Clive Barker (The Books of Blood, Hellraiser) – takes place in a Central American country in the midst of a coup led by the mysterious El Coco (Benjamin Marshall). It is quickly discovered that under the previous dictatorship, an exiled European doctor, Josef Frankenstein (Thomas Middleditch) has been allowed to carry out human experiments on enemies of the people. Now the maimed and monstrous survivors of the doctor’s experiments, including El Coco himself, are after revenge.
The play’s use of visual elements is very strong, with the chorus painted in make-up reminiscent of Mexico’s Day of the Dead, and the gore being actually gory, with ripped out hearts and flayed characters shouting for revenge being run of the mill events in this unapologetically lurid play. The lighting is also, for the most part, effective and seamless, working well with the use the actors make of the underground venue: slowly creeping out of the dark, the audience seeing them before the other characters do. With all of these elements in play, it was curious that the delivery of the text was decidedly un-camp, with the exception of Tegan Harrod’s Lazaro, who nailed her Igor/Renfield-like character with a great mix of physical performance and vicious buffoonery.
I would have understood the choice of a serious portrayal of all of these elements, had the potentially strong thematic content of the script been explored. At a time when Central America seems to be tearing itself apart, at a time when torture and body horror is the norm for both filmmakers and government superpowers, at a time when fresh batches of war criminals continue to be unearthed from conflicts that ended not so long ago, it seemed a shame that none of these modern anxieties were used to lend a helping hand to the production in any consistent way.
Ultimately, a choice had to be made on what everyone was to run with. Uttering thematic elements as tokenisms is not the same as a thorough and thoughtful exploration of them. Auschwitz, coups, human experimentation, all within an unstable Central American government; so many strong ideas were circulating under the surface of the script. A utilisation of the elements of horror, coupled with some reference to the sociological anxiety or disruption in which most horror stories are contextualised when they are written, was obvious in its absence in this production.
Rating: Two and a half stars
Monash Uni Student Theatre present
Frankenstein in Love
By Clive Barker
Directed by Emma Palackic and Sophie Phillips
Production Design: Sophie Phillips
Lighting Design: Jason Lehane
Sound design/Composition: Ross Unger
Cast: Benjamin Marshall, Alexanda Wynne, Rosie Noone, Joel Skurrie, Thomas Middleditch, Tegan Harrod, Josh Karlik, Nick Fry, James jackson, Henry Brooks and Isobel Roberts-Orr
Collingwood Underground Car Park
September 16 – 17 and 19 – 25
Melbourne Fringe Festival
September 21 – October 9
See the original post here: http://www.artshub.com.au/au/news-article/reviews/performing-arts/frankenstein-in-love-185671